The Girl I Left Behind Me by Muriel Spark

the girl i left behind me by muriel spark summary

‘The Girl I Left Behind Me’ by Muriel Spark is a novel which focuses on the relationship between two people living in Africa. The two characters are very different and they each have different experiences and opinions which affect their relationship. The author writes about her experiences of life in Africa and how it has impacted her. She also explores the relationships between men and women.

Life in Africa

Despite the fact that Muriel Spark is a writer, her memoir is a reserved, modest affair. Her best work is at least as good as that of Graham Greene. The only real misstep is her treatment of her relationship with her son.

Although Spark was a good writer, she was not a good mother. Her son Robin was the product of an unconventional marriage to a Scottish Jewish oddball. They married in Rhodesia. They settled in a small dusty town called Masvingo. Their son grew up with grandparents.

A major turning point in Spark’s career occurred in 1951, when she won the first prize in a literary competition. It was a clever story, with a nifty bit of writing and a nice turn of action. It won over 6000 other entries.

The best part was that Spark won the competition. She was awarded 50 pounds. Her mother sent her the money, despite her lack of wealth. She was also given the opportunity to spend several months in Southern Africa, where she learned about a haunting place.

She also studied Mary Shelley. She wrote a novel called Bang-bang You’re Dead. She wrote a lot of short stories and poetry. She was a member of the Poetry Society. She was also a convert to Catholicism.

She had a very successful career as a writer. She wrote 22 novels. She also wrote short stories, a good deal of poetry, and was a successful publisher. She also published a book called The Golden Fleece.

The memoir is a good example of what Spark was trying to achieve. It is a small book that doesn’t take itself too seriously. She tries to make it clear that her literary legacy does not include the traumatic relationship she had with her son.

The most important part of the story is Spark’s relationship with her reader. She was a very intelligent writer who was a good listener. Her work is often confusing and the reasons for her confusion aren’t always clear. But her writing is excellent. She avoided sentimentality.

Love-hate relationship with Africa

Whether one is a Black Orientalist or a Black African, a love-hate relationship with Africa is a fact of life. The continent has been a recurring theme in Black Orientalist literature. The literature focuses on the white man’s forceful introduction into Africa and his dispossessed African culture. It also reveals the racial, gender, and traditional issues surrounding commerce.

In the 1960s, Africa’s headline economic growth rates were 2.6 percent per year. However, in the immediate post-independence period, the headline growth rates were positive.

In the 1960s, Africa produced semi-precious minerals, gold, and tobacco. These commodities fed British industries. The country was in the top three nations in commodity production. In 1965, Ian Douglas Smith led the colonial administration. However, economic sanctions exacerbated the need for urgent liberation struggle in Zimbabwe.

The Zambesi River was pictured as a thunderous waterfall and a “Dark Continent.” It was also a symbol of ecstasy. It was a place where “the wild character was reborn”.

In Spark’s first major publication, “The Seraph and the Zambesi”, she portrayed the Zambesi as a “wild leopard”. She also likened the character Sergeant to an African continent.

Although she was a writer who was born and raised in Scotland, Joan Spark spent some of her childhood in Africa. She also wrote about the colonial past of Scotland. She had no illusions about the colonists. She consciously decried colonial discourse. She was more sympathetic to missionaries, though.

Joan Spark was born in Edinburgh, Scotland. Her father was a British minister and her mother worked as a teacher. She went to Africa as a child. The African experience filtered into her dramatic writings. She was also a satirist, describing settler life in “The Dry River Bed”. She also wrote about Africa in a book called “Spark’s Africa”.

The first major piece of African writing by Joan Spark was “The Portobello Road”. She was inspired by Victoria Falls. Throughout her life, she had a love-hate relationship with Africa. She wrote about her African experience, but she had no illusions about the colonists.

Influences on her writing

Besides the obligatory maid of honor, there isn’t much to do in the city. The city was named after a slew of famously flamboyant politicians. The city has seen its share of high-stakes dramas, both in the sexs and the sexs. The city is also home to an inveterate and a plethora of flora and fauna. The city is a jumbled mix of cultures, all of whom have their own unique quirks. The city is home to several snobbish and booze-laden cliques, which is not to mention a slew of petty petty and tepid petty snobs. The city is also home to a few escapists.


Dame Muriel Spark’s autobiography, The Reputation of the Girl I Left Behind Me, presents a harrowing picture of her “formation as a creative writer”. She wrote at least one novel a year. She won many literary awards, including an OBE from Queen Elizabeth in 1967.

The book is divided into sections that describe the key moments in Muriel Spark’s life. In the early Fifties, Spark collaborated with Derek Stanford on a number of literary projects. Stanford claims that Spark’s grandmother had gypsy blood. But Stanford’s story is inaccurate, and he erroneously assumes that Proust wrote the Recherche dans le temps perdu.

Spark also wrote a good deal of poetry. She worked as an editor for a quarterly magazine. She had a brief stint as an editor for Time magazine, where she got her hardest-to-get tickets for Broadway shows. She also started a magazine called Forum. The magazine was short-lived. Spark then got a part-time job as a secretarial for Peter Nevill. She rented a study in Nevill’s home.

The New Yorker rejected several of Spark’s better stories. They also overlooked her novel, The Girls of Slender Means. It wasn’t until Spark’s reputation began to grow that the magazine published more of her work.

Spark’s short stories are psychologically interesting and well-constructed. They often make readers evaluate characters. They also force them to look at implausibility. Spark’s work is infused with an ambition for allegory.

Spark began writing short fiction in 1951. She won the Observer Christmas story competition in 1951. She wrote about kinky nuns, a boy who dies in a car crash, and the infamous Park Avenue piano party. She was reluctant to reveal the thoughts of her characters. She kept every scrap of paper she had for decades.

Spark wrote her first novel in 1957. She published The Prime of Miss Jean Brodie in October 1961. She went on to win the Nobel Prize for Literature in 1975. Spark published over a hundred short stories, some of which appear in her volumes of short fiction. She wrote about schoolgirl intrigue and kinky nuns.

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